Illustrated by E.B. Lewis
Text set in ITC Cushing
G.P. Putnam's Sons
"This poem is a retelling of a story in the sacred literature of Buddha about his disciples, the Elephant Ananda, as related by Rudyard Kipling in his novel, Kim," writes Joseph Slate, though you'd hardly guess it from a glance. The setting is very far removed from the world of Kipling. This is a story of African slaves fleeing their plantation and escaping to freedom along the underground railroad.
For complete authenticity, the illustrator, E.B. Lewis, made the journey from Kentucky across the Ohio river. "I imagined the dark nights when lives quietly swept across to the other side," he writes. "I toured the Rankin House in Ripley, OH, for the first time and stood still for a while to reflect on the risky and humane actions that helped free slaves during those times."
That is not to suggest that everything about this book is based on fact. There are several more fantastical moments, beginning with the very first page.
Before I die, I want to be free.
But the Big Man says, "You belong to me."
And then we see the Big Man, rising before the young slaves like a specter, his face covered in shadow from his wide-brimmed hat. His enormity is exaggerated. Looking at him is like looking at an unscalable mountain.
But its a mountain the narrator attempts to scale nonetheless. In another few pages, he's off through the woods, finding a cave by nightfall where other slaves huddle and hide. These nighttime scenes are incredibly beautiful and atmospheric, using just a few different shades of green, lewis creates an entire world of lush vegetation, ragged clothing and nighttime starscapes.
Big Man has dogs. He has a gun.
The salves flee in the night. One small child who had lost his mother is about to be left behind.
"Oh no," says I. "We'll run to the wild! The Lord will help me care fort this child!"
For the rest of the story, we follow the two of them fleeing together, all the meanwhile, the iron is still clasped firmly around the leg of the man.